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Theater on the Web
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Theater: The Lively Art, 4/e
Edwin Wilson, City University of NY
Alvin Goldfarb, Illinois State University
Audiences and Critics
Multiple Choice Quiz
Choose the best answer.
1
_______________ is at the heart of the theater experience.
A)
The actor-audience relationship
B)
The actor-director relationship
C)
The audience-director relationship
D)
none of the above
2
The amount of distance between the artist's creation and the observation of the audience is known as ______________________.
A)
"the mystic gulf"
B)
gesamkunstwerk
C)
aesthetic distance
D)
willing suspension of disbelief
3
Historically, those in authority have feared the power of an audience's emotional participation in a theatrical event. The result of that fear has been ______________.
A)
philanthropic grants
B)
aesthetic distance
C)
belief training
D)
censorship
4
Lack of _______________ could cause an audience member to stalk an actor who plays a villainous character on a soap opera.
A)
aesthetic distance
B)
censorship
C)
belief training
D)
willing suspension of disbelief
5
The San Francisco Mime Troupe has been prominent for many years among which specialized theater group?
A)
Political Theater
B)
Hispanic Theater
C)
Avant-garde Theater
D)
Gay and Lesbian Theater
6
Which of the following background information might a critic offer when reviewing a play?
A)
Information about the playwright
B)
Information about the history of the production
C)
Both
D)
Neither
7
Aristotle invented prescriptive criticism.
A)
True
B)
False
8
Descriptive criticism is objective.
A)
True
B)
False
9
A reviewer usually has less theatrical background than a critic does.
A)
True
B)
False
10
A critic uses which of the following criteria to judge a play:
A)
What is being attempted?
B)
Was the attempt worthwhile?
C)
both
D)
neither
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