 |  Theater: The Lively Art, 4/e Edwin Wilson,
City University of NY Alvin Goldfarb,
Illinois State University
Designers: Lighting and Sound
Chapter ObjectivesChapter Six discusses the lighting and sound as more recently developed elements of theatrical production.
After reading this chapter you should:
1.Understand that both lighting and sound designers work closely with the director to establish the tone and style of a production. |
 |  |  | 2.Know that the lighting and sound designers both have responsibilities to the production and must satisfy a number of objectives, specifically to create an environment for the action of the play. |
 |  |  | 3.Understand that lighting designers have a knowledge of the basic elements of visual design, and use these resources to do their work. |
 |  |  | 4.Understand the brief history of lighting design as it applies to the stage. |
 |  |  | 5.Know the specific objectives, physical aspects, and process of the lighting designer. |
 |  |  | 6.Have an understanding of the lighting designer's collaborators. |
 |  |  | 7.Have a basic understanding of the technology available to lighting designers. |
 |  |  | 8.Know the specific responsibilities, objectives, and technologies of the sound designer. |
 |  |  | 9.Understand the brief history of sound design as it applies to the stage. |
 |  |  | 10.Have an understanding of the sound designer's collaborators. |
 |  |  | 11.Be aware of some of the special effects used in sound and lighting to complements a production. |
|