Student View
|
Instructor Center
|
Information Center
|
Home
Listening Guide Problems?
Feedback
Help Center
Music: An Appreciation: An Appreciation, Brief 4/e
Roger Kamien, Hebrew University
Student View
Contents:
Part 1: Elements
Section 1: Sound, Pitch, Dynamics, and Tone Color
Section 2: Performing Media: Voices and Instruments
Section 3: Rhythm
Section 4: Notation
Section 5: Melody
Section 6: Harmony
Section 7: Key
Section 8: Musical Texture
Section 9: Musical Form
Section 10: Musical Style
Part 2: The Middle Ages and Renaissance
Section 1: Music in the Middle Ages
Section 2: Music in the Renaissance
Part 3: The Baroque Period
Section 1: Baroque Music
Section 2: Music in Baroque Society
Section 3: The Concerto Grosso & Ritornello Form
Section 4: The Fugue
Section 5: The Elements of Opera
Section 6: Opera in the Baroque Era
Section 7: Claudio Monteverdi
Section 8: Henry Purcell
Section 9: The Baroque Sonata
Section 10: Antonio Vivaldi
Section 11: Johann Sebastian Bach
Section 12: The Baroque Suite
Section 13: The Chorale and Church Cantata
Section 14: The Oratorio
Section 15: George Friderich Handel
Part 4: The Classical Period
Section 1: The Classical Style
Section 2: Composer, Patron and Public in the Classical Period
Section 3: Sonata Form
Section 4: Theme and Variations
Section 5: Minuet and Trio
Section 6: Rondo
Section 7: The Classical Symphony
Section 8: The Classical Concerto
Section 9: Classical Chamber Music
Section 10: Joseph Haydn
Section 11: Wolfgang Amadeus Mozart
Section 12: Ludwig Van Beethoven
Part 5: The Romantic Period
Section 1: Romanticism in Music
Section 2: Romantic Composers and their Public
Section 3: The Art Song
Section 4: Franz Schubert
Section 5: Robert Schumann
Section 6: Clara Wieck Schumann
Section 7: Frederick Chopin
Section 8: Franz Liszt
Section 9: Felix Mendelssohn
Section 10: Program Music
Section 11: Hector Berlioz
Section 12: Nationalism in 19th Century
Section 13: Antonin Dvorak
Section 14: Peter Ilyich Tchaikovsky
Section 15: Johannes Brahms
Section 16: Guiseppe Verdi
Section 17: Giacomo Puccini
Section 18: Richard Wagner
Part 6: The Twentieth Century
Section 1: Musical Styles
Section 2: Music and Musicians in Society
Section 3: Impressionism and Symbolism
Section 4: Claude Debussy
Section 5: Neoclassicism
Section 6: Igor Stravinsky
Section 7: Expressionism
Section 8: Arnold Schoenberg
Section 9: Alban Berg
Section 10: Anton Webern
Section 11: Bela Bartok
Section 12: Charles Ives
Section 13: George Gershwin
Section 14: William Grant Still
Section 15: Aaron Copland
Section 16: Musical Styles Since 1945
Section 17: Music Since 1945: Four Representative Pieces
Section 18: Jazz in Society
Section 19: American Musical Theater
Section 20: Rock
Part 7: Nonwestern Music
Section 1: Music in Nonwestern Cultures
Section 2: Music in Sub-Saharan African
Section 3: Classical Music of India
2002 McGraw-Hill Higher Education
Any use is subject to the
Terms of Use
and
Privacy Policy
.
McGraw-Hill Higher Education
is one of the many fine businesses of
The McGraw-Hill Companies
.