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1 | |
The Tempietto was a |
| | A) | martyrium |
| | B) | little temple |
| | C) | baptistery |
| | D) | mausoleum |
| | E) | church |
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2 | |
Which is NOT a feature of Raphael's Betrothal of the Virgin? |
| | A) | round arches |
| | B) | an angry suitor |
| | C) | a bearded priest |
| | D) | a pseudo-peripteral temple |
| | E) | a pediment |
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3 | |
Which is NOT true of Leonardo da Vinci? |
| | A) | he made anatomical drawings |
| | B) | he was a uomo universale |
| | C) | he wrote backwards |
| | D) | he made more paintings than drawings |
| | E) | he made more paintings than sculptures |
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4 | |
Which is NOT by Leonardo? |
| | A) | Madonna and Child with Saint Anne |
| | B) | Mona Lisa |
| | C) | Moses |
| | D) | Vitruvian Man |
| | E) | Last Supper |
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5 | |
Sfumato is |
| | A) | an artist |
| | B) | a medium |
| | C) | a style |
| | D) | a technique |
| | E) | a color |
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6 | |
Which does NOT appear in the Sistine Ceiling frescoes? |
| | A) | Prophets |
| | B) | Christ |
| | C) | Sibyls |
| | D) | Jeremiah |
| | E) | Adam |
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7 | |
The patron saint of Venice is |
| | A) | Saint Mark |
| | B) | Saint Peter |
| | C) | Saint Matthew |
| | D) | Saint Sebastian |
| | E) | Saint John the Evangelist |
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8 | |
Which best describes the stigmata? |
| | A) | an outcast |
| | B) | the Flagellation |
| | C) | the arrows of Saint Sebastian |
| | D) | the wounds of Christ |
| | E) | a painting by Giotto |
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9 | |
Titian's self-portrait appears in |
| | A) | the Rape of Europa |
| | B) | the Pesaro Madonna |
| | C) | the Galatea |
| | D) | the Allegory of Prudence |
| | E) | the Tempest |
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10 | |
Michelangelo's self-portrait appears in |
| | A) | the Moses |
| | B) | the Last Judgment |
| | C) | the Last Supper |
| | D) | the Creation of Adam |
| | E) | the Flood |
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11 | |
Jacopo Bellini's style is best known today from his |
| | A) | drawings |
| | B) | paintings |
| | C) | autobiography |
| | D) | etchings |
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12 | |
The Venetian artist who most influenced Giorgione and Titian was |
| | A) | Jacopo Bellini |
| | B) | Andrea Mantegna |
| | C) | Gentile Bellini |
| | D) | Giovanni Bellini |
| | E) | Raphael |
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13 | |
Giorgione demonstrated the superiority of painting over sculpture by |
| | A) | a description in his autobiography |
| | B) | painting a nude man with reflections from two sides |
| | C) | making a sculpture and a painting of a man |
| | D) | dictating a comparison to Vasari |
| | E) | making sculptures with mirrors |
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14 | |
The surface details in 16th-century Venetian painting show influence from |
| | A) | Flanders |
| | B) | Naples |
| | C) | the International Style |
| | D) | Byzantium |
| | E) | Florence |
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15 | |
Which is true? |
| | A) | Titian painted the Tempesta |
| | B) | There are crowds of figures in the Tempesta |
| | C) | The main colors of the Tempesta are gray and black |
| | D) | The subject of the Tempesta is a matter of debate |
| | E) | The subject of the Tempesta is now understood |
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16 | |
The two Venetian artists who painted reclining nudes are |
| | A) | Giovanni and Gentile Bellini |
| | B) | Titian and Giovanni Bellini |
| | C) | Giorgione and Gentile Bellini |
| | D) | Titian and Giorgione |
| | E) | Jacopo and Gentile Bellini |
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17 | |
The "vernacular" refers to |
| | A) | Italian |
| | B) | Latin |
| | C) | Greek |
| | D) | the Dialogues of Plato |
| | E) | the Lives of Vasari |
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18 | |
Which are by Titian? |
| | A) | Charles V at Mühlberg, the Rape of Europa, and Saint Francis in Ecstasy |
| | B) | The Tempesta, the Allegory of Prudence, and the Sleeping Venus |
| | C) | the Allegory of Prudence, the Venus of Urbino, and the Pesaro Madonna |
| | D) | the Tempesta, the Rape of Europa, and the Venus of Urbino |
| | E) | the Rape of Europa, Sleeping Venus, and Sultan Mehmet II |
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19 | |
The theme of the Allegory of Prudence is |
| | A) | the relationship of humans to animals |
| | B) | time |
| | C) | portraiture |
| | D) | history |
| | E) | narrative |
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20 | |
Which painting is based on Ovid's Metamorphoses? |
| | A) | the Rape of Europa |
| | B) | the Allegory of Prudence |
| | C) | the Venus of Urbino |
| | D) | the Sleeping Venus |
| | E) | the Mona Lisa |
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2002 McGraw-Hill Higher Education