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| 1 | |
This excerpt is written for |
| | A) | Chorus and strings |
| | B) | Soloist, chorus and strings |
| | C) | Chorus, strings, brass and percussion |
| | D) | Soloist, chorus strings, and brass |
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| 2 | |
This movement is taken from |
| | A) | An oratorio |
| | B) | A cantata |
| | C) | An opera |
| | D) | A concerto grosso |
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| 3 | |
This movement features |
| | A) | Numerous changes in texture |
| | B) | Changes in rhythm patterns |
| | C) | A wide range of dynamic levels |
| | D) | All of the above |
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| 4 | |
The order of imitative vocal entrances from 1:28 to 1:51 is |
| | A) | Bass, alto, tenor, soprano |
| | B) | Bass, tenor, alto, soprano |
| | C) | Bass, soprano, alto, tenor |
| | D) | Bass, alto soprano, tenor |
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| 5 | |
The section of music from 2:04 to 2:30 |
| | A) | Alternates monophonic and homophonic textures |
| | B) | Remains the same each time each time the text is repeated |
| | C) | Rises each time the text is repeated |
| | D) | Both A and C |
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