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| 1 | |
Millet's The Gleaners combines |
| | A) | social observation with Neoclassicism |
| | B) | Renaissance monumentality with Romanticism |
| | C) | Medieval feudalism with Romanticism |
| | D) | social observation with Romanticism |
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| 2 | |
Which author and work do NOT match? |
| | A) | Baudelaire -- Les Fleurs de Mal |
| | B) | Zola -- Madame Bovary |
| | C) | Dickens -- A Tale of Two Cities |
| | D) | Balzac -- La Comédie Humaine |
| | E) | Marx -- Introduction to the Critique of Political Economy |
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| 3 | |
Rosa Bonheur was particularly drawn to images of |
| | A) | lions |
| | B) | athletes |
| | C) | horses |
| | D) | city life |
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| 4 | |
Courbet's patron, who financed the Realist Exhibition was |
| | A) | Baudelaire |
| | B) | Zola |
| | C) | Flaubert |
| | D) | Bruyas |
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| 5 | |
The central group of Courbet's My Studio includes |
| | A) | a boy, a cat, a painter, a woman, and a landscape |
| | B) | a juggler, a crucifix, a cat, and a painter |
| | C) | a painter, a woman, a boy, and a journalist |
| | D) | a painter, a woman, a boy, and a peddler |
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| 6 | |
For most of his life Daumier made a living |
| | A) | as a painter |
| | B) | as a caricaturist |
| | C) | as a cartoonist |
| | D) | as a photographer |
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| 7 | |
Gargantua is a (an) |
| | A) | tyrant |
| | B) | greedy king |
| | C) | good-natured giant |
| | D) | gargoyle |
| | E) | ogre from French folklore |
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| 8 | |
Daumier was sentenced to jail for |
| | A) | fraud |
| | B) | satirizing the king |
| | C) | revolutionary activities |
| | D) | defending freedom of the press |
| | E) | forgery |
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| 9 | |
Nadar's Giant refers to |
| | A) | a French painting |
| | B) | a French photograph |
| | C) | a French balloon |
| | D) | a French folktale |
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| 10 | |
Who of the following was NOT a nineteenth-century photographer? |
| | A) | Cameron |
| | B) | Nadar |
| | C) | Brady |
| | D) | Duckworth |
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| 11 | |
The figures in Manet's Dejeuner sur l'Herbe are identified as |
| | A) | Manet's sister, brother-in-law, and Victorine |
| | B) | Manet's model, brother-in-law, and sister |
| | C) | Manet's model, Gustave Manet, and Ferdinand Leenhoff |
| | D) | Manet, his model, and his brother |
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| 12 | |
Critics objected to Dejeuner sur l'Herbe because |
| | A) | it was not sufficiently Classical |
| | B) | it was not colorful enough |
| | C) | it contained the artist's self-portrait |
| | D) | it was too much like a Renaissance painting |
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| 13 | |
Manet's Olympia was inspired by |
| | A) | The Rokeby Venus |
| | B) | The Venus of Urbino |
| | C) | Ingres' Grande Odalisque |
| | D) | Canova's Pauline |
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| 14 | |
Courbet objected to the Olympia because |
| | A) | it was not realistic enough |
| | B) | it was too Classical |
| | C) | it was based on Renaissance prototypes |
| | D) | it was too flat |
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| 15 | |
Manet objected to Courbet's Woman with a Parrot because |
| | A) | it was too realistic |
| | B) | it was too voluptuous |
| | C) | it was not Classical enough |
| | D) | the parrot was a Romantic element |
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