HelpFeedback
Tonal Harmony
Information Center
Table of Contents


Tonal Harmony: With An Introduction To Twentieth-Century Music, 5/e

Stefan Kostka, University of Texas at Austin
Dorothy Payne, University of South Carolina, Columbia

ISBN: 0072852607
Copyright year: 2004

Table of Contents



About the Authors
Preface
To the Student

Part I: Fundamentals

Chapter 1: Elements of Pitch
The Keyboard and Octave Registers
Notation of the Staff
The Major Scale
The Major Key Signatures
Minor Scale
Minor Key Signatures
Scale Degree Names
Intervals
Perfect, Major, and Minor Intervals
Augmented and Diminished Intervals
Inversion of Intervals
Consonant and Dissonant Intervals

Chapter 2: Elements of Rhythm
Rhythm
Durational Symbols
Beat and Tempo
Meter
Division of the Beat
Simple Time Signatures
Compound Time Signatures
Time Signatures Summarized
More on Durational Symbols

Chapter 3: Introduction to Triads and Seventh Chords
Triads
Seventh Chords
Inversions of Chords
Inversion Symbols and Figured Bass
Lead Sheet Symbols
Recognizing Chords in Various Textures

Chapter 4: Diatonic Chords in Major and Minor Keys
The Minor Scale
Diatonic Triads in Major
Diatonic Triads in Minor
Diatonic Seventh Chords in Major
Diatonic Seventh Chords in Minor

Part II: Diatonic Triads

Chapter 5: Principles of Voice Leading
The Melodic Line
Notating Chords
Voicing a Single Triad
Parallel Motion

Chapter 6: Root Position Part Writing
Root Position Part Writing with Repeated Roots
Root Position Part Writing with Roots a 4th (5th) Apart
Root Position Part Writing with Roots a 3rd (6th) Apart
Root Position Part Writing with Roots a 3rd(7th) Apart
Instrumental Ranges and Transpositions

Chapter 7: Harmonic Progression
Sequences and the Circle of Fifths
The I and V Chords
The II Chord
The VI Chord
The III Chord
The VII Chord
The IV Chord
Common Exceptions
Differences in the Minor Mode
Progressions Involving Seventh Chords
Harmonizing a Simple Melody
Conclusion

Chapter 8: Triads in First Inversion
Bass Arpeggiation
Substituted First Inversion Triads
Parallel Sixth Chords
Part Writing First Inversion Triads
Soprano-Bass Counterpoint

Chapter 9: Triads in Second Inversion
Bass Arpeggiation and the Melodic Bass
The Cadential Six-Four
The Passing Six-Four
The Pedal Six-Four
Part Writing for Second Inversion Triads

Chapter 10: Cadences, Phrases, and Periods
Musical Form
Cadences
Cadences and Harmonic Rhythm
Motives and Phrases
Mozart: "An die Freude"
Period Forms

Chapter 11: Non-Chord Tones 1
Classification of Non-Chord Tones
Passing Tones
Neighboring Tones
Suspensions and Retardations
Figured Bass and Lead Sheet Symbols
Embellishing a Simple Texture

Chapter 12: Non-Chord Tones 2
Appoggiaturas
Escape Tones
The Neighbor Group
Anticipations
The Pedal Point
Special Problems in the Analysis of Non-Chord Tones

Part III: Diatonic Seventh Chords

Chapter 13: The V7 Chord
General Voice-Leading Considerations
The V7 in Root Position
The V7 in Three Parts
Other Resolutions of the V7
The Inverted V7 Chord
The V6/5 Chord
The V4/3 Chord
The V4/2 Chord
The Approach to the Seventh

Chapter 14: The II7 and VII7 Chords
The II7 Chord
The VII7 Chord in Major
The VII7 Chord in Minor

Chapter 15: Other Diatonic Seventh Chords
The IV7 Chord
The VI7 Chord
The I7 Chord
The III7 Chord
Seventh Chords and the Circle-of -Fifths Progression

Part IV: Chromaticism 1

Chapter 16: Secondary Functions 1
Chromaticism and Altered Chords
Secondary Functions
Secondary Dominant Chords
Spelling Secondary Dominants
Recognizing Secondary Dominants
Secondary Dominants in Context

Chapter 17: Secondary Functions 2
Secondary Leading-Tone Chords
Spelling Secondary Leading-Tone Chords
Recognizing Secondary Leading-Tone Chords
Secondary Leading-Tone Chords in Context
Sequences Involving Secondary Functions
Deceptive Resolutions of Secondary Functions
Other Secondary Functions

Chapter 18: Modulations Using Diatonic Common Chords
Modulation and Change of Key
Modulation and Tonicization
Key Relationships
Common-Chord Modulation
Analyzing Common-Chord Modulation

Chapter 19: Some Other Modulatory Techniques
Altered Chords as Common Chords
Sequential Modulation
Modulation by Common Tone
Monophonic Modulation
Direct Modulation

Chapter 20: Binary and Ternary Forms
Formal Terminology
Binary Forms
Ternary Forms
Rounded Binary Forms
12-Bar Blues
Other Formal Designs

Part V: Chromaticism 2

Chapter 21: Mode Mixture
Borrowed Chords in Minor
The Use of B-Flat 6 in Major
Other Borrowed Chords in Major
Modulations Involving Mode Mixture

Chapter 22: The Neapolitan Chord
Conventional Use of the Neapolitan
Other Uses of the Neapolitan

Chapter 23: Augmented Sixth Chords 1
The Interval of the Augmented Sixth
The Italian Augmented Sixth Chord
The French Augmented Sixth Chord
The German Augmented Sixth Chord
Other Uses of the Conventional Augmented Sixth Chords

Chapter 24: Augmented Sixth Chords 2
Other Bass Positions
Resolutions to Tonic
Resolutions to Other Scale Degrees
Resolutions to Other Chord Members
Other Types of Augmented Sixth Chords

Chapter 25: Enharmonic Spellings and Enharmonic Modulations
Enharmonic Spellings
Enharmonic Interpretation
Enharmonic Modulations Using the Major-Minor Seventh Sonority
Enharmonic Modulations Using the Diminished Seventh Chord
Other Examples of Enharmonicism

Chapter 26: Further Elements of the Harmonic Vocabulary
The Dominant with a Substituted 5th
The Dominant with a Raised 5th
Ninth, Eleventh, and Thirteenth Chords
The Common-Tone Diminished Seventh Chord
Simultaneities
Coloristic Chord Progressions

Part VI: Late Romanticism and the Twentieth Century


Chapter 27: Tonal Harmony in the Late Nineteenth Century
Counterpoint
Treatment of Dominant Harmony
Sequence
Expanded Tonality

Chapter 28: An Introduction to Twentieth-Century Practices
Impressionism
Scales
Chord Structure
Parallelism
Pandiatonicism
Rhythm and Meter
Set Theory
The Twelve-Tone Technique
Tonal Serialization
Aleatory of Chance Music
Texture and Expanded Instrumental Resources
Electronic Music
Summary and Forward Look

Appendix A: Instrumental Ranges and Transpositions
Appendix B: Answers to Self-Tests
Appendix C: Index of Music Examples

Name Index
Subject Index
Kostka, Tonal Harmony, 5/e

Instructors: To experience this product firsthand, contact your McGraw-Hill Education Learning Technology Specialist.