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1 |  |  The carving method: |
|  | A) | is more aggressive than modeling |
|  | B) | more direct than casting |
|  | C) | is a subtractive process |
|  | D) | all of the above |
|  | E) | none of the above |
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2 |  |  The Indian sculpture Durga Fighting the Buffalo Demon is an example of: |
|  | A) | low-relief sculpture. |
|  | B) | high-relief sculpture. |
|  | C) | bronze casting. |
|  | D) | assemblage. |
|  | E) | collage. |
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3 |  |  Four basic methods for making a sculpture are: |
|  | A) | modeling, firing, lashing, and casting. |
|  | B) | casting, stacking, rolling, and carving. |
|  | C) | modeling, casting, carving, and assembling. |
|  | D) | casting, turning, rolling, and modeling. |
|  | E) | none of the above |
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4 |  |  The additive process of sculpture includes: |
|  | A) | carving. |
|  | B) | assembling. |
|  | C) | turning. |
|  | D) | modeling. |
|  | E) | both b and d |
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5 |  |  Direct casting, as used by Nancy Graves, is a process in which: |
|  | A) | the artist is only indirectly involved. |
|  | B) | the casting is created directly from the object with no wax intermediary. |
|  | C) | the artist only "directs" the casting of the artwork. |
|  | D) | a casting is made directly from a rubber model. |
|  | E) | a master metallurgist directs the entire project. |
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6 |  |  The subtractive process involves: |
|  | A) | carving. |
|  | B) | assembling. |
|  | C) | welding. |
|  | D) | modeling. |
|  | E) | both b and d |
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7 |  |  Relief sculpture is: |
|  | A) | not meant to be viewed in the round. |
|  | B) | not finished on all sides. |
|  | C) | often used to decorate architecture. |
|  | D) | all of the above. |
|  | E) | none of the above. |
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8 |  |  In sculpture, what is the most popular modeling material? |
|  | A) | gold |
|  | B) | clay |
|  | C) | marble |
|  | D) | leather |
|  | E) | wood |
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9 |  |  Fired clay is sometimes called: |
|  | A) | pewter. |
|  | B) | haut relief. |
|  | C) | rococo. |
|  | D) | ceramic. |
|  | E) | terra cotta. |
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10 |  |  Tilted Arc by Richard Serra was dismantled and removed from its installed site because: |
|  | A) | it was rusting and decaying prematurely. |
|  | B) | it was only intended as a temporary installation. |
|  | C) | it was rejected by the public for which it was intended. |
|  | D) | Serra was concerned that graffiti would compromise his original vision for the work. |
|  | E) | it was inhibiting the view of the water. |
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11 |  |  The ______ process, also known as cire-perdue, dates back to the 3rd millennium BCE. |
|  | A) | gilded |
|  | B) | subtractive |
|  | C) | lost-wax |
|  | D) | bas-relief |
|  | E) | none of the above |
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12 |  |  Casting is known as ______ method. |
|  | A) | a subtractive |
|  | B) | an additive |
|  | C) | a replacement |
|  | D) | an assemblage |
|  | E) | a modeling |
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13 |  |  Sculptors will often create a "sketch" out of __________ to test ideas before proceeding to their medium of choice. |
|  | A) | fresco |
|  | B) | clay |
|  | C) | bronze |
|  | D) | gilding |
|  | E) | all of the above |
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14 |  |  What is the key difference between the process of lost-wax casting as practiced in ancient times, and that same process today? |
|  | A) | The lost-wax process did not exist in ancient times. |
|  | B) | The modern method no longer uses wax. |
|  | C) | There is no difference between the modern and the ancient method. |
|  | D) | Today's sculptors do not use the lost-wax method. |
|  | E) | Today, multiples can be created from the process. |
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15 |  |  ________ is a sculptural process of bringing together individual pieces, segments, or objects to form a sculpture. |
|  | A) | Contrapposto |
|  | B) | Cire-perdue |
|  | C) | Collage |
|  | D) | In-the-round |
|  | E) | Assemblage |
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16 |  |  High relief sculpture is different than low relief sculpture in that: |
|  | A) | high relief projects boldly from the background. |
|  | B) | high relief is installed high upon the wall of a building. |
|  | C) | elements of high relief may be in the round, unattached to the background. |
|  | D) | none of the above. |
|  | E) | both a and c |
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17 |  |  Jeff Koon's sculpture Puppy: |
|  | A) | was made using the replacement process. |
|  | B) | explores definitions of taste. |
|  | C) | is permanently installed at the Guggenheim in Bilbao, Spain. |
|  | D) | all of the above. |
|  | E) | none of the above. |
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18 |  |  Contrapposto (meaning counter poise or counterbalance) was developed by ________ as a pose for sculptures of the human figure. |
|  | A) | Ancient Greeks |
|  | B) | Ancient Egyptians |
|  | C) | 18th-century artists of the Ivory Coast |
|  | D) | 12th-century Japanese artists |
|  | E) | artists of the Renaissance |
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19 |  |  The artworks of Christo and Jeanne-Claude are intended: |
|  | A) | to be temporary and transitory. |
|  | B) | as self-financing works. |
|  | C) | as works that have as there subject matter the entire process of the project. |
|  | D) | to bring together a temporary community of people focused on a particular idea. |
|  | E) | all of the above. |
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20 |  |  In the earthworks of __________, the element of time moves to center stage |
|  | A) | Richard Serra |
|  | B) | Robert Smithson |
|  | C) | Andy Goldsworthy |
|  | D) | 'Louise Bourgeois |
|  | E) | Christo |
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