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1			Read this interview with Wasserstein about ballet. What do you make of her connections with dance and her own work? Which of her comments would you be likely to use in a paper about Wasserstein and The Man in a Case?
2			Read this essay about character and casting by Wasserstein. What information could you use from this essay in a paper about The Man in a Case? Did you "cast" the play as you read it? If so, who did you cast? If not, how did you analyze Byelinkov and Varinka? Would the play change for you if you cast people of different ethnic backgrounds?
3			Read this review of The Object of My Affection, which Wasserstein adapted for the movies from a novel by Stephen McCauley. Imagine you are a drama critic who has just seen a performance of The Man in a Case. What kind of review would you give the play? Were there aspects of the plot or dialogue that you found unconvincing or especially wonderful?