Introduction Why Do We Study the History of Art?

Part I

Chapter 1 The Art of Prehistory
Window on the World 1: Rock Paintings of Australia
Chapter 2 The Ancient Near East
Chapter 3 Ancient Egypt
Chapter 4 The Aegean

Part II

Chapter 5 The Art of Ancient Greece
Chapter 6 The Art of the Etruscans
Window on the World 2: China: Neolithic to First Empire
Chapter 7 Ancient Rome
Window on the World 3: Developments in South Asia: The Indus Valley Civilization
Chapter 8 Early Christian and Byzantine Art
Window on the World 4: Developments in Buddhist Art

Part III

Chapter 9 The Early Middle Ages
Window on the World 5: Mesoamerica and the Andes (1500 B.C. - A.D. 1500)
Chapter 10 Romanesque Art
Chapter 11 Gothic Art
Window on the World 6: Buddhist and Hindu Developments in East Asia and South Asia (6th-13th Century)
Chapter 12 Precursors of the Renaissance

Part IV

Chapter 13 The Early Renaissance
Window on the World 7: Perspective in Asian Painting
Chapter 14 The High Renaissance in Italy
Chapter 15 Mannerism and the Later Sixteenth Century in Italy
Chapter 16 Sixteenth-Century Painting and Printmaking in Northern Europe

Part V

Chapter 17 The Baroque Style in Western Europe
Window on the World 8: Mughal Art and the Baroque
Chapter 18 Rococo and the Eighteenth Century

Part VI

Chapter 19 Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries
Chapter 20 Romanticism: The Late Eighteenth and Early Nineteenth Centuries
Chapter 21 Nineteenth-Century Realism
Chapter 22 Nineteenth-Century Impressionism Window on the World 9: Japanese Woodblock Prints
Chapter 23 Post-Impressionism and the Late Nineteenth Century
Window on the World 10: Gauguin and Oceania

Part VII

Chapter 24 Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse
Window on the World 11: African Art and the European Avant-Garde
Chapter 25 Cubism, Futurism, and Related Twentieth-Century Styles
Chapter 26 Dada, Surrealism, Fantasy, and the United States Between the Wars
Window on the World 12: Hopi Kachinas
Chapter 27 Abstract Expressionism
Chapter 28 Pop Art, Op Art, Minimalism, and Conceptualism
Chapter 29 Innovation, Continuity and Globalization