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| 1 | |
Ternary form is best described as |
| | A) | aba. |
| | B) | abc. |
| | C) | abba. |
| | D) | ab. |
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| 2 | |
The piano trio, typically, consists of |
| | A) | three pianos. |
| | B) | violin, cello, and piano. |
| | C) | two pianos and bass. |
| | D) | two violins and piano. |
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| 3 | |
The piano quintet, typically, consists of |
| | A) | five pianos. |
| | B) | two violins, two violas, piano. |
| | C) | two violins, viola, cello, and piano. |
| | D) | two violins, cello, bass, and piano. |
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| 4 | |
A piece that is derived from the notes of a single scale is described as |
| | A) | diatonic. |
| | B) | ternary. |
| | C) | binary. |
| | D) | monophonic. |
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| 5 | |
The primary vocal, choral, and dramatic genre of the Classic period was |
| | A) | oratorio. |
| | B) | cantata. |
| | C) | opera. |
| | D) | concerto. |
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| 6 | |
The third movement of a symphony is typically a |
| | A) | sonata. |
| | B) | minuet and trio. |
| | C) | theme and variations. |
| | D) | dance. |
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| 7 | |
The sonata form is made up of |
| | A) | chamber music. |
| | B) | minuet/trio. |
| | C) | exposition/development/recapitulation. |
| | D) | preludes/fugues. |
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| 8 | |
Minuet and trio is a |
| | A) | movement of a dance suite. |
| | B) | renaissance dance. |
| | C) | movement of a symphony. |
| | D) | baroque form. |
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| 9 | |
A classical symphony, typically, includes |
| | A) | four movements. |
| | B) | three movements. |
| | C) | two movements. |
| | D) | one movement. |
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| 10 | |
Modulation is a |
| | A) | change of tempo. |
| | B) | change of dynamics. |
| | C) | change of meter. |
| | D) | change of tonality. |
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| 11 | |
The baroque continuo |
| | A) | continues its importance in the Classic period. |
| | B) | is of little importance in the Classic period. |
| | C) | is used in choral music only. |
| | D) | is used in chamber music only. |
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| 12 | |
The orchestra of the Classic period |
| | A) | is much like the symphony orchestra of today. |
| | B) | is more like the orchestra of the Baroque period. |
| | C) | does not include brass or percussion. |
| | D) | does not include oboes or bassoons. |
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| 13 | |
The standard string quartet includes |
| | A) | violin, viola, cello, and bass. |
| | B) | violin, viola, cello, and harpsichord. |
| | C) | two violins, cello, and bass. |
| | D) | two violins, viola, and cello. |
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| 14 | |
The concerto sometimes includes |
| | A) | a cantata. |
| | B) | a canzona. |
| | C) | a cadenza. |
| | D) | a continuo. |
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| 15 | |
The “Pathétique” sonata was composed by |
| | A) | Beethoven. |
| | B) | Mozart. |
| | C) | Haydn. |
| | D) | none of the above. |
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| 16 | |
The Marriage of Figaro was composed by |
| | A) | Beethoven. |
| | B) | Mozart |
| | C) | Haydn. |
| | D) | none of the above. |
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| 17 | |
The Choral Symphony was composed by |
| | A) | Beethoven. |
| | B) | Mozart. |
| | C) | Haydn. |
| | D) | none of the above. |
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| 18 | |
Wachet auf… was composed by |
| | A) | Beethoven. |
| | B) | Mozart. |
| | C) | Haydn. |
| | D) | none of the above. |
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| 19 | |
The loudness level in music is called |
| | A) | tempo. |
| | B) | dynamics. |
| | C) | meter. |
| | D) | form. |
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| 20 | |
Binary form is best described as |
| | A) | aba. |
| | B) | ab. |
| | C) | abba. |
| | D) | abc. |
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