1. Photography (p. 209-227)
Art>Art Techniques>Other>Photography
http://www.mhhe.com/ArtStudio/2/5/3.html
Review the process of taking, developing, and enlarging a photograph by clicking on the above link. Choose a photograph reproduced in this chapter, and analyze its subject, form, and compositional choices. What decisions did the photographer make in terms of capturing his or her subject, and developing the print to produce the final photographic image?

2. Video (p. 242-245)
Art>Art Techniques>New Media>Video Art
http://www.mhhe.com/ArtStudio/2/4/2.html
View the visual explanation on video art in the link above to consider the nature of this experimental medium, which artists have used since the 1960s. Whether video artist use digital effects, as in Peter Campus’s Three Transitions (Fig. 9.32, p. 243), or unusual projections like Tony Ousler’s Coo (Fig. 9.33, p. 244), video art requires innovation, as well as careful planning and design. What are some of the steps required in this process?

3. Digital Animation (p. 240-242)
Art>Art Techniques>New Media>Animation
http://www.mhhe.com/ArtStudio/2/4/3.html
View the explanatory video on digital animation by clicking the link above, noting the steps required to produce digital imagery of the sort used in Star Wars III: Revenge of the Sith or Spirited Away (Figs. 9.29-30, p. 240-241). How does digital animation compare in terms of production methods and appearance with traditional, hand-drawn animation like Gertie the Trained Dinosaur (Fig. 9.21, p. 231)?