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| 1 |  |  Which work is a fresco painting? |
|  | A) | Raphael's The School of Athens in the Vatican |
|  | B) | Leonardo's The Last Supper in Milan |
|  | C) | Michelangelo's The Creation of Adam in the Sistine Chapel |
|  | D) | All of the answers are correct. |
|  | E) | None of the answers are correct. |
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| 2 |  |  The three most vital centers of Italian art during the Renaissance were |
|  | A) | Venice, Rome, and Florence. |
|  | B) | Pompeii, Naples, and Sicily. |
|  | C) | Rome, Siena, and Naples. |
|  | D) | Genoa, Milan, and Pisa. |
|  | E) | Florence, Umbria, and Capri. |
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| 3 |  |  Which new group of art patrons emerged during the Renaissance? |
|  | A) | the clergy |
|  | B) | the merchant class |
|  | C) | the nobility |
|  | D) | the peasantry |
|  | E) | All of the answers are correct. |
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| 4 |  |  The Renaissance was |
|  | A) | renewal of methods and approaches of the Middle Ages. |
|  | B) | a resurrection of French courtly manners. |
|  | C) | a revival of interest in ancient Greek and Roman ideals. |
|  | D) | an integration of Christian and Egyptian cultures. |
|  | E) | a rejection of all past artistic styles. |
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| 5 |  |  The system of linear perspective was developed in the early 15th century in |
|  | A) | Italy. |
|  | B) | Germany. |
|  | C) | the Netherlands. |
|  | D) | China. |
|  | E) | England |
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| 6 |  |  Michelangelo considered the field of _______ to be his foremost specialty. |
|  | A) | engineering |
|  | B) | architecture |
|  | C) | painting |
|  | D) | sculpture |
|  | E) | music |
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| 7 |  |  Which characteristic helps define the art of 15th-century northern European artists? |
|  | A) | their scientific use of linear perspective |
|  | B) | their precise rendering of surface details |
|  | C) | their accurate depiction of human anatomy |
|  | D) | All of the answers are correct. |
|  | E) | None of the answers are correct. |
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| 8 |  |  The strange and artificial sense of form and space in 16th-century Italian painting is typical of |
|  | A) | the Classical revival. |
|  | B) | courtly affectations. |
|  | C) | the High Renaissance. |
|  | D) | Mannerism. |
|  | E) | the Quattrocento style. |
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| 9 |  |  The use of _____ can be seen in the painting Madonna and Child with Saint Anne. |
|  | A) | sfumato |
|  | B) | fresco |
|  | C) | allegory |
|  | D) | Mannerism |
|  | E) | contrapposto |
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| 10 |  |  The emotional and dramatic Last Supper by Tintoretto reflects the artistic goals of |
|  | A) | the Protestant Reformation. |
|  | B) | the High Renaissance. |
|  | C) | the Catholic Counter-Reformation. |
|  | D) | neo-Platonic Humanism |
|  | E) | All of the answers are correct. |
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