| Close Structure | Less than an octave between soprano and tenor.
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| Counterpoint | Refers to the combining of relatively independent musical lines.
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| Direct (or hidden) 5th or 8ve | What results when the outer parts move in the same direction into a P5 or P8, with a leap in the soprano part.
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| Focal Point | The highest note of the melody.
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| Full Score | All or most of the parts of a score are notated on their own individual staves.
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| Harmonic Progression | The ways in which chords are selected.
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| Musical Score | A tool used by a composer, conductor, or analyst that shows all the parts of an ensemble arranged one above the other, enabling the experienced reader to "hear" what the composition will sound like.
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| Objectionable Parallels | What results when two parts that are separated by a P5 or a P8, or by their octave equivalents, move to new pitch classes that are separated by the same interval.
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| Open Structure | An octave or more between soprano and tenor.
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| Reduced Score | The score is notated at concert pitch on as few staves as possible.
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| Voice Leading | The ways in which chords are produced by the motions of individual musical lines.
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| Voicing | How the chord is to be distributed or spaced.
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