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"What Price Music? How Your Favorite Song Went On 99-Cent Special
by Amy Harmon

Source: The New York Times, October 12, 2003.
http://select.nytimes.com/search/restricted/article?res=F30C1FFC35580C718DDDA90994DB404482

             Many of you have probably downloaded music from the Internet or shared music files with friends. Even if you have not, you are probably aware that a revolution is occurring in the music industry. This revolution was prompted by technological innovation, the development of digitized music. This innovation is unlike previous shifts from vinyl to cassettes to compact discs. Record labels and other businesses are struggling to find a way to make a profit from a product that consumers can obtain—illegally but easily—for free.

             The article "What Price Music?" explores how the emerging legal providers of downloading services are determining the prices of their products in a rapidly changing market. The price seems to be settling at 99 cents per song. According to the anecdote told to reporter Amy Harmon, this price was rather arbitrarily arrived at by Steven P. Jobs, Apple's chief executive. Apple was one of the first companies to sign major deals with record companies to legally provide music downloads. At first, their product was only compatible with their operating system, but in the last few years they have moved into the larger P.C. (IBM-compatible personal computers) market that largely operates in a Windows environment. Apple's i-Tunes has become the price leader in this market, and the article shows how rigid (or "sticky") prices can be in an oligopolistic market.

             According to the article, other companies have tried to increase their market share by offering lower prices. For example, RealNetwork's Rhapsody service attempted to undercut competitors by offering music at 49 cents per song. Their sales tripled but profits did not. Similarly, Napster's research indicated that lowering the price to 75 cents would not generate sufficient sales to offset the lower price. These stories suggest that the industry already has a kinked demand curve. Below the current price of 99 cents, demand is inelastic and so lowering the price does not increase sales by enough to offset the lost revenue per unit sold. (Remember: Total Revenue = Price x Quantity Sold)

Questions for Discussion:
  • If the market for downloaded music does have a kinked demand curve, demand is elastic above the current price. What would happen if a company tried to raise their price above 99 cents in order to increase revenue and profits?
  • How did Jobs come up with a price of 99-cents-per-song? Did he focus on supply costs or on consumer behavior?
  • Do you pay to download music? Does 99 cents per song seem like a price that you would be willing and able to pay?
  • Do you consider illegal music downloading an ethical or unethical practice? Why or why not?
  • For online music providers to remain an oligopoly, the industry must have high barriers to entry. Based on the information in the article, what kinds of barriers are music providers trying to erect?
  • The article implies that changes in the music industry will make it harder for new artists to get financial support from record labels. Explain the economic logic behind this argument.
  • The availability of online music has pressured record companies to lower the prices on CDs. Use supply and demand diagrams to demonstrate this result.





"Cellphone Deals Sweeten in Face of New Rule on Keeping Number"
by Matt Richtel

Source: The New York Times, October 18, 2003.
http://select.nytimes.com/search/restricted/article?res=F30610F8395A0C7B8DDDA90994DB404482

             Cell phone customers have been reluctant to shop around for the best deals because changing their cell phone number seems like a hassle. Each time you change providers, you have to make sure that everyone who calls you has the new number. That's fine if you use your phone just for emergencies or to keep in touch with family members. But if a wide circle of friends or of business contacts use the number, changing it is not easy.

             Enter the Federal Communications Commission, the federal agency that regulates the market for telephone service. In order to increase the level of competition within this oligopolistic industry, the FCC instituted new regulations that allow customers to transfer a cell phone number when they change providers. Eventually, you will even be able to transfer a land line number to a cell phone.

             Because there are only a handful of cellular phone providers who can carefully monitor each others' actions, competition for customers has been fierce. Since the industry is oligopolistic, a company's profits depend upon maintaining and expanding its market share. To reduce customer turnover, especially in light of the new regulations, cell phone companies are providing lots of incentives to customers who sign long-term contracts. They hope to lock in their customers before the regulations take effect. Customers who are aware of the changes are driving hard bargains, hoping that they can get good deals while the companies are nervous about losing customers.

Questions for Discussion:
  • What kinds of retention strategies are companies developing to cope with the portability issue? What kinds of incentives are being provided to customers?
  • The article includes a chart listing the market shares of the top seven cellular providers. Calculate the concentration ratio for the top 4 firms. Lump the omitted providers into a company called "other" and calculate the Herfindahl-Herschman Index.
  • Does there seem to be a relationship between the churn rates of the different companies and their customer satisfaction ranks?







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