Choose the best answer.
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| 1 | |
Which of the following is a way to define film in historical context? |
| | A) | biographical study |
| | B) | genre study |
| | C) | film movement study |
| | D) | All the answers are correct. |
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| 2 | |
Which of the following is not a factor that affects and causes changes in the film industry? |
| | A) | the state of the film industry |
| | B) | artistic theories held by the filmmakers |
| | C) | political and government leaders |
| | D) | All of these affect and cause change in the film industry. |
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| 3 | |
Which of the following was not an early film projector? |
| | A) | Black Maria |
| | B) | Mutotrope |
| | C) | Lumiere Camera |
| | D) | Kinetoscope |
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| 4 | |
In the era of the classical Hollywood cinema, what was the factory system? |
| | A) | Films were independently made, but produced by studios that had nothing to do with the making of the film. |
| | B) | Studios where films were mass produced; several films could be made at the same time by combining the studio resources. |
| | C) | Empty factory buildings were transformed into film studios. |
| | D) | It was a slang term for the operations of producing a film, since they are structured like the chain of command at factories. |
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| 5 | |
Which of the following film movements did not contain elements of avant-garde art style? |
| | A) | expressionism |
| | B) | impressionism |
| | C) | surrealism |
| | D) | neorealism |
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| 6 | |
The expressionist movement was an avant-garde movement that found a niche in several art forms, including film, upon which the movement disappeared. Which of the following represents the correct evolution of the movement between the art forms? |
| | A) | theater, literature, architecture, painting, film |
| | B) | architecture, painting, theater, literature, film |
| | C) | painting, theater, literature, architecture, film |
| | D) | literature, architecture, painting, theater, film |
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| 7 | |
In order to recreate the character's emotions as they were felt, moment by moment, French film impressionists experimented with what type of editing? |
| | A) | graphic |
| | B) | rhythmic |
| | C) | spatial |
| | D) | temporal |
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| 8 | |
Why were the French surrealists so attracted to the cinema from the beginning of their movement? |
| | A) | because the premise of film itself is the creation of imaginary worlds and spaces |
| | B) | because film allows dreams to be tangibly presented |
| | C) | because previously made films encompassed all styles and forms for which there were no rules about what to present or how to present it |
| | D) | because the surrealist painters such as Man Ray, Salvador Dali, and writers such as Antonin Artaud were looking for new forms to give life to their already existing work |
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| 9 | |
What was the purpose of the Soviet montage films? |
| | A) | to provide an easily accessible form of entertainment |
| | B) | to teach small bites of information from many different subjects |
| | C) | to allow aspiring filmmakers to experiment with art form and create a style unique to Russia |
| | D) | to spread communist propaganda |
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| 10 | |
What was the initial effect the invention of sound in film had on the film industry? |
| | A) | For a few years, it created a setback in the Hollywood studios. |
| | B) | It was immediately popular and almost immediately made silent pictures obsolete. |
| | C) | It slowly gained in popularity, but eventually took off. |
| | D) | There was no change in the popularity of film. The studios found the same success with sound that they had with silent pictures. |
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| 11 | |
How did the Italian neorealism movement come about? |
| | A) | Italian dictator Mussolini demanded film that would spread his political agenda. |
| | B) | Young rebels wanted to break free from the already existing film conventions and create their own. |
| | C) | Neorealism was an art and literary movement that evolved into film. |
| | D) | There is no definitive source of the movement. |
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| 12 | |
The most revolutionary quality of French New Wave films was which of the following? |
| | A) | their casual look |
| | B) | their experimentation with plot construction |
| | C) | their lack of goal-oriented protagonists |
| | D) | their ambiguous endings |
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| 13 | |
What specific characteristics embody the new Hollywood film movement? |
| | A) | rapid, choppy editing |
| | B) | nonnarrative plot structures |
| | C) | distorted cinematography |
| | D) | No specific identifying characteristics exist; many styles apply. |
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| 14 | |
How do most independent films, labeled as such because they are produced without the help of the major studios, gain a following and an audience? |
| | A) | by entering film festivals, such as the Sundance Film Festival |
| | B) | by being funded, but not controlled, by major studios |
| | C) | by sending the finished product to the major studios to be distributed under a label |
| | D) | All the answers are correct. |
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| 15 | |
Film in Hong Kong has found a niche with American audiences. Which of the following describes the Chinese films popular in the United States? |
| | A) | kung-fu violent male melodrama films |
| | B) | comic kung-fu that mixes martial arts with action-adventure movies |
| | C) | art cinema that uses swordplay fantasy, supernatural romance, and classic kung-fu |
| | D) | cop-and-crook films that use slapstick, big action sets, gunmen, swordfighters and kung-fu warriors |
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